lunedì 29 settembre 2008

Serge Lutens - Pleasure Chic


The luxury of the Beauty
Serge Lutens was born in Lille in 1942. In the early 1960s, he went to Paris and started working as a makeup artist and creative stylist. He became the creative director at Shiseido in 1980, and released his first perfume for Shiseido in 1981: the now legendary Nombre Noir. The Salons du Palais Royal Shiseido, described by Lutens as “more of a refined salon for perfumes than a boutique”, opened in Paris in 1992, shortly after the release of Shiseido Féminité du Bois. Subsequent releases appear under the name Serge Lutens instead of Shiseido. In the late 1990s, Lutens decided to entirely devote his time to perfumery. There are two Serge Lutens lines: the export line (50 ml rectangular bottle, which you can buy all over the world) and the exclusive 75 ml bell jar bottle. A typical Serge Lutens fragrance conjures an almost mystical kind of feeling on its wearers. One of my favourites is Tuberose Criminelle. Tuberose Criminelle is a very interesting note. For a long time, I thought it was a piercingly sweet floral, and perhaps the flower is extraordinarily sweet in real life. Not so real tuberose absolute. Rather, it carries a heavy aroma like rotten flowers and rubber. Perfume being what it is (a recreation of natural smells) the method for putting the sweetness into the tuberose absolute is to add it back via chemicals--or the few sweet natural substances that are strong enough to compete with it. That is why perfume that uses tuberose absolute is always sweet. Without these additives, it would be ghastly. No one would wear it. No more deviating from the point, on to the review of Serge Lutens Tuberose Criminalle. My favorite aspect about this house is that the perfumers often avoid side-stepping the natural smell of the main accord. Instead, they ramp it up with supporting notes. This perfume is no exception. Dispite all other notes, it still smells like natural tuberose absolute. Another beautiful example is Iris Silver Mist, which smells very nearly exactly like orris butter. So, if you like tuberose, you must try this one before you can claim any familiarity with the note. Either that, or buy a sample vial of the absolute--but you'll never wear it. Photographer, make-up artist, interior and set designer, creator of perfumes, fashion designer and designer of extraordinary objects, autodidact Serge Lutens is an "image maker" of genius. He first began working for French "Vogue" in 1963 where he worked with, among others, Bob Richardson, Richard Avedon, Guy Bourdin and Irving Penn. At the age of only 27, already acclaimed for his inimitable style, he moved to Dior to develop the company's image and create their make-up lines, after which he transferred his talents to Shiseido, where he has been "image creator" for over 15 years. He divides his time between Paris and Ben Youssef, the medina in Marrakech, and his work reflects a sophisticated blend of European refinement and rich orientalism, taking the femme ideale, or ideal woman, as its central motif. His first book - published in 1992 and now a collector's item - was an "event" in the publishing world. Today, with his second book, produced in luxury edition, Serge Lutens returns to reconfirm his art, which brings together pure aesthetics and a quest for perfection.[Photo]

Amouage - Arabian Royal Perfume



The search for a perfection beyond reality; the rare and exquisite nature of the lyric-spinto voice that inspires both awe and envy; the sacrifice made in the quest for immortality..." No, you are not reading a synopsis of a Lloyd Webber musical. This is how Amouage introduce their new "deliciously dramatic" fragrance, Lyric Woman. To be fair, the perfume is in fact dramatic. And delicious, in that tantalizingly odd way in which roses can be delicious when they are blended with spices and vanilla. According to Amouage, "Lyric is a floral fragrance, but one that introduces dark intensity" to the genre. Simply put, it is a floral-oriental scent. Or rather oriental-floral, because the spices, the resins and the woods rule the composition. Do not expect a pure, naturalistic rose scent. When the (lyric-spinto?) voice of the rose IS heard in the passionate and perfectly harmonious chorus of other notes, it does sound wonderfully realistic. Those are the glimpses of roses in their natural habitat, in a luxurious garden, with dew glistening alluringly on their crimson petals (hey, I can do over-the-top marketing copy with the best of them!)...but most of the time, Lyric is a masterfully-woven tapestry, or perhaps more appropriately in this case - a carpet. At times you can recognize the flowers in the abstract ornaments but mostly they blend into the ornate, magnificently intricate design. It may or may not be apparent from this review, but I am in love with Lyric. I don't like naturalistic rose scents and, as those close to me would unhappily confirm, I love drama. I also appreciate complex compositions. Lyric has a multitude of facets: there is a fresh, slightly sharp floral part fronted by jasmine and geranium, the mouthwatering spicy side of cardamom, cinnamon and ginger, the sweet, edible fluffiness of vanilla, tonka bean and orris, the dark sensuality of wood and frankincense...And this host of voices is tied together with the velvety ribbon of rose, and what could have been cacophony becomes breathtaking harmony. Lyric Woman was created by Daniel Maurel. I would be curious to find out what other perfumes were done by Maurel and from now on will be eagerly awaiting his new scents. Lyric collection also includes a masculine scent, Lyric Man, by Daniel Visentin: a fresher, spicier and equally beautiful blend, which continues the Phantom of the Opera theme by recounting "the myth of a beautiful young woman and a powerful, mysterious man who seeks to immortalise the beauty of her voice." But more on that at a later date...
Lyric Woman and Man are available at amouage.com, for €185-€220 and €165-€205 respectively.